What do you want to change about the sound of public radio?
It's a question we sent to the team of official judges: but you're all voting and judging in this contest. What are you listening for? What are you hoping to hear from the ten semi-finalists in Round Two? What do you want to change about the sound of public radio?
(Thanks chadbullock for getting this conversation started in the your nominations forum.)
Let's peel back the onion:
1) News is not enough, and it's too hot to handle
The dumbing-down of TV news has gone about as low as it can go. PubRad perceived that as an opening, and jumped into what it saw as the niche of being America's in-depth news source. Not a bad thought. But the trouble is that PubRad is under constant threat of having funding pulled by conservative legislators/administrations.
So, PubRad news coverage has retreated to relative blandness, out of caution.
Meanwhile, PubRad has stripped away entertainment, drama, etc., ending up overcommitted to a news niche in which they are crippled by the political funding structure.
2) Pathetic payment of freelancers
If you look at the public posted salaries of NPR show producers, they are respectable. Not glamorous like many TV salaries; still, middle-class livings.
But ... when you research the payments of PubRad shows to freelancers, they are beyond pathetic - more like scandalous. Some shows pay nothing at all for contributions. I have been able to find only ONE person who can make an exclusive living at PubRad freelancing - and he told me he can afford it just because he "likes rice and beans a lot." PRX attempts to address this situation in its own way, but its licensing payments to show/segment creators are still just pennies on the dollar of what the creators deserve, and need, to build real careers.
Because of the lousy payscales, many talented people take a peek inside PubRad and bolt immediately, others starve awhile and drop out, and few can persist.
Often, producers INSIDE the PubRad system are too crazed knocking out existing programming to attempt cool new show development.
So tell me, then: Where do new ideas get nurtured? Where are the farm teams? Where is the indy system? Where is fresh ambition and creativity and courage regularly rewarded? Anywhere?
3) Lack of "Destination Shows"
Did anyone find it sad that "This American Life" was cited hundreds of times as the contestants' favorite? Yes, it's a great, great show - but it should have been rivaled by a score of other "destination shows" equally on the tip of contestants' tongues. At the very least, TAL should have, by now, been able to create spin-off shows that feed a similar appetite, but with some twist. Yet, there's none of this.
Problem is: It takes TIME and COMMITMENT to build an audience for a unique destination show. But PubRad doesn't take those risks.
****
I'm not accusing PubRad of being filled with cowering bureaucrats. They have my support and admiration. I'm just saying that unless and until these underlying structural and financial issues are forthrightly addressed, any flirtation with a new show or a new host will likely be devoid of a structure to ever support it!
Rich Meitin
www.richmeitin.com
http://www.publicradioquest.com/node/1038
Nicely put, Rich. May I add under Number two that NPR makes it frustratingly difficult to pitch stories when you're working at a local public radio station. There are endless hoops to jump through and often the network will turn to an established name for stories even if he or she lives far outside the area.
I'm looking to see who has consistency and the ability to be more than a one trick pony. Some of the winners had interesting initial submissions that were hard to imagine how they'd play out as an ongoing feature/show/story teller/etc. I'll be curious to see who shows range and is able to hold our attention on an ongoing basis.
Deborah
Like everyone else, I want to hear something different in public radio. I think the crop of shows right now are good, but it does need a boost. If I had my way, I would want Tony Kornheiser in one of the NPR shows since he's smart, witty, and funny, but on second thought, he does bash management a lot. I want a host that cares about their craft and relate to us either with their voice or surrounding. It's a difficult task, but it's worth a shot.
--including public radio hosts--embedded in this short animation could give us some clues:
http://www.homestarrunner.com/sbemail120.html
want to hear something completley different....not the same old sound. more excitment and tone of voice. accents don't hurt, but something that makes you wonder.."who is this"!
I'm hungry for a greater diversity of voices. I mean hosts, guests, subjects. For me, the big revelation when This American Life began wasn't Ira's delivery, it was his skill drawing meaning out of people--not sources.
More attention to the intangibles--race, class, why we can't stop consuming.
Less form, more function. Viva Abumrad! Viva Krulwich! Viva Alix Spiegel & Chana Joffe-Walt!
Listeners will follow us if we wean them off the 24 hour news cycle, and deliver real story.
The thing about the public media and other hangouts of liberals (and I am in that group!) is that they always a lot of discussion about diversity and people taking action to make different environments more diverse. And that is a good thing. But so often, categories such as race, gender, religion etc are almost used as a proxy for the thing no one in the US wants to talk about and that is class. This leads to rather odd situations like the time a coworker told me he lived in a diverse community because several black families lived on his street... but it is in a GATED COMMUNITY. HELLO! Economic problems such as poverty are correlated with race and gender but lets really talk about the class issues themselves instead of talking around them. And while I am on this rant I really cannot think of any authentic sounding working class voices on my local WUNC affiliate.** It seems like more working class and poor people (the ones I know anyway) would rather listen to AM talk radio. But then every election cycle when the same people vote conservatively and seemingly against their own economic interest, public radio has no lack of political pundits wondering aloud at the mystery of the working class and why more of them do not vote Democratic. Duh. It is very disingenuous to judge them like that if you do not give them space on your part of the radio dial.
Oh oh.. I do not want to let go of this rant yet. This reminds me of the other thing that bothers me a lot and that is how there seems to be no real political discourse anymore. In terms of the radio... you have a lot of liberals listening to liberals on public radio and a bunch of conservatives listening to conservatives on AM talk radio... so how do you create a space where people are truly interested in listening to folks who disagree with them?
** In fairness I think Dick Gordon has a pretty good variety of guests. He is not just looking for famous people or political talking heads but he interviews a lot of real folks. And John Biewen has done great documentary work. Actually most of the long form documentary work I have heard from what used to be American Radio Works has been pretty incredible and has touched on issues like class. But what I would really like to hear are host voices that sound more diverse. Here is an example:
... however is more "talk" and "discussion" really the way to win hearts and minds... and listeners for that matter?
Sometimes people get overloaded with all the information and interviews.
Radio 4 on BBC has a great model. News - Talk - Comedy - Quizzes - Arts and Drama.
I think US public radio has got the first two covered pretty nicely... maybe too nicely.
Mankind cannot live on bread alone (sometimes you've got to have toast).
I'm not sure if digital radio will allow public radio stations to have multiple channels, but if they have the means, it might be interesting to think about having three channels each with primary focus of 1) news and talk 2) music and entertainment and 3) arts and drama. And each should share programming and focus on a local voice so they don't become carbon copies of the niche stations on satellite radio.
-Rich
- Watch More Radio
Texas Radio Theatre
She's a witch, can we burn her on PRX
Rich,
I agree 100% of your assessment and I would love to have that. However, the difference is the BBC is controlled by the audience and the government (there's a media governance). If there is an audience for a show, the government will renew it. Public shows are based on a variety of stuff, which include pledges from us. In the U.S., we take news and talk seriously, thus the more money spent in that area. I wish the money I pledge go to comedies and others, but I can't control that, it's the public audience with the money that makes the decision.
In the U.S., we take news and talk seriously, thus the more money spent in that area.
Then money is very, very, very boring. And with the state of the world today, it can be very depressing as well.
...A self fulfilling prophecy that feeds on itself. It certainly can't be good for our cutural psyche.
I find that when I'm down, I usually spend my money on the wrong things... or not at all (assuming lack of money isn't causing my sour mood in the first place).
Whatever must be done to make public radio better shouldn't be a mission to try to 'outshine' the other media and entertainment choices people have. I hope nobody has the idea of strapping a big bombastic audio strobe light to public radio. Please no...
Sadly, there's no way to go back to a time when individual station owners or consortiums could take more "risks" with local talent and odd programming choices... like "album side Thursdays". A laughable concept today... (or is it when you have a computer acting as your board-monkey).
I blame deregulation - "free" trade and that nasty old internet... (the only reason I know so much about Radio 4 and what I'm missing).
Bad Zoot... Naughty Zoot
-Rich


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